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To receive  Morning Links  in your inbox every weekday, sign up for our  Breakfast with ARTnews  newsletter . Good Morning! As budgets tighten, museums are joining forces to buy expensive artworks they could not afford on their own. A UK tech firm is using AI and knowledge graphs to strengthen art authentication.  Collectors are increasingly using freeports to defer taxes, protect valuable artworks, and manage sales more strategically. The Headlines TEAMWORK, DREAMWORK.  Museums are increasingly joining forces to buy expensive artworks they could not afford alone, a reflection of rising prices, tighter acquisition budgets, and growing pressure to diversify collections,  Artnet News  reported . Shared ownership allows institutions to split costs, rotate works between venues, and broaden public access while reducing financial risk. These partnerships also strengthen relationships between museums and can attract additional philant...

Clarrie Gibbons was synonymous with rugby in Wellington for many years Gibbons was a player in Wellington in the early 1930s, then a Wellington A selector and coach in the 1950s and 1960s and later an administrator and WRFU Chairman between 1964-68 and NZRU President in 1967. As well as rugby, Gibbons was a track...

The Guggenheim Abu Dhabi took another significant step toward its December 11 opening, naming Valerie Hillings as the institution’s inaugural director. In choosing Hillings, the Guggenheim tapped a trusted name for the high-profile appointment. She spent five years on the Guggenheim’s staff in New York before joining the Guggenheim Abu Dhabi project in 2008 as curator and associate director of curatorial affairs. She worked alongside the Department of Culture and Tourism Abu Dhabi through 2018, laying the groundwork for its acquisition strategy and curatorial focus on art from West Asia, North Africa, and South Asia from 1960 onward.  “I am honored to return to Abu Dhabi to complete the once-in-a-lifetime journey of founding and opening Guggenheim Abu Dhabi,” Hillings said in a statement . “I look forward to welcoming local and global audiences to the magnificent Frank Gehry-designed building and inviting them to explore points of interconnection and uniq...

Gagosian has closed its small space in London’s Burlington Arcade and will soon close up its space in Basel, Switzerland, the Art Newspaper reports . Both spaces started as pop-ups, and as long as the rents were good, it made sense for founder Larry Gagosian to keep up those spaces, a source familiar with the gallery’s thinking told ARTnews . “Larry’s thinking is, ‘If there’s opportunity there, great. If not, that’s okay too,’” the source said. Among the gallery’s London spaces, the Burlington Arcade location, which opened in 2023, was the smallest, with the downstairs featuring a store that sold books, editions, and other Gagosian merchandise. Upstairs was a tiny exhibition space that was closer to a private viewing room. Still, Gagosian managed to put on 16 shows there before closing up shop. But Gagosian isn’t abandoning London by any stretch. The gallery will continue to maintain its two Mayfair galleries, at Grosvenor Hill and Davies Stre...

In 2021, British artist Sacha Jafri auctioned what was then the world’s largest canvas painting, The Journey of Humanity , for a total of £45 million ($62 million at the time) in support of children’s charities. The proceeds from the sale made in Dubai were supposed to be split between UNICEF, UNESCO, and the Global Gift Foundation. But the London Times reports that over five years later, the money has still yet to be disbursed to the selected charities. In 2022, the UAE-based organization, Dubai Cares, which was supposed to receive and distribute the funds to the different NGOs, filed an ongoing legal case against the winning buyer, French-Algerian crypto-businessman André Abdoune, for failing to deliver on his promised payment, as first reported by the Fence Magazine . Initially, Dubai Cares also accused Jafri of unlawfully seizing the painting and exploiting the charity, but a judge dismissed those claims. Abdoune, however, was reportedly ordered to pay t...

The New Art Dealers Alliance has named the 135 galleries that will take part in the upcoming 2026 edition of NADA Miami, scheduled to run December 1–5 at its longtime home, the Ice Palace Studios. The fair’s 24th edition will bring together exhibitors from 63 cities in 27 countries, with 45 of them participating for the first time. Galleries making their debut at NADA Miami including Pietro Alexander (of New York), Clauda (Prague), Forgotten Lands (Christiansted, St. Croix), Real Tinsel (Milwaukee), and Slip House (New York). NADA Miami will also feature 59 of the organization’s members, including April April, Chozick Family Art Gallery, Embajada, Gattoprado, Hesse Flatow, Kates-Ferri Projects, Misako & Rosen, Tyler Parker Presents, and Proxyco. Other galleries taking part include Ceysson & Bénétière, De Boer, Tara Downs, Gladwell Projects, and Pierdas. The NADA Projects section will feature 25 exhibitors, including Blah Blah Gallery (of Phi...

Earlier this month, Dr. Michael Rao, president of Virginia Commonwealth University, made a bold statement: it’s time to move “beyond” the educational model developed by Oxford University in the High Middle Ages. Rao was speaking at the opening of “أغرب إدراك: Aghrab Idrāk: Thresholds of Perception,” a an official Venice Biennale collateral exhibition presented by VCUarts at Palazzo Cavanis in Venice. Indeed, “Aghrab Idrāk” is a rare show for a university, a sort of proof of concept for a new way of teaching the arts. An interdisciplinary program, VCUarts Qatar organizes its offerings through creative research labs that mash up not just creative practices like graphic arts, textile design, audiovisual engineering, typography, and illustration, but also disciplines like anthropology, computer science, and engineering. The result is labs like Sonic Jeel, which focuses on sonic cultures; the Anthro-tech Atelier, whic...