The Met’s Frida & Diego Opera Imagines Feminist Revenge from Beyond the Grave
She is the subject of a current exhibition at the Museum of Modern Art and an upcoming one at the Tate Modern. Netflix is planning an adaptation of her life. Her unibrowed face stares out from tote bags, murals, notebooks, enamel pins, refrigerator magnets, and dorm-room posters across the globe. A recent auction of The Dream (The Bed) , 1940, helped send her market value into yet a higher strata. I speak, of course, of Frida Kahlo. Add to the list a new opera. El Último Sueño de Frida y Dieg o, which recently opened at the Met, stages an oneiric reckoning with two famed painters. The premise is deceptively simple: on a November day in 1957, Frida returns from the underworld during Día de los Muertos for a brief reunion with her husband, who is himself not long for the world of the living. Carlos Álvarez as Diego and Isabel Leonard as Frida in a scene from Gabriela Lena Frank’s “El Últi...