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Amazon MGM Studios dropped this week the trailer for The Thomas Crown Affair , a remake of the acclaimed 1968 film that will open in theaters on March 5, 2027. Directed by and starring Academy Award–winning actor Michael B. Jordan, the trailer already hints at the art-related plot points for the film. About 12 seconds into the trailer, Jordan’s Thomas Crown faces some built-in bookshelves that slide apart to reveal a hidden room where he stores his stolen paintings. On a metal rack, resembling the sliding vertical racks often used in museum and gallery storage, are four paintings. Crown holds another canvas in his hands to add to his collection of looted masterpieces. By ARTnews ’s estimations, these paintings, from left to right, are Francisco Goya’s Saturn Devouring His Son (ca. 1820–23), owned by the Museo del Prado in Madrid; Henry Ossawa Tanner’s  The Banjo Lesson (1893), owned by the Hampton University Museum in Virginia; Kerry James Marshall’s Si...

Simone Forti, artist, choreographer, dancer, poet, and leading figure of New York’s Judson Dance Theater scene of the 1960s, as well as an influential contributor to Minimalism and the Fluxus movement, has passed away in Los Angeles at age 91, her gallery, Raffaella Cortese, confirmed via social media today. “She was a beloved friend and mentor, whose immeasurable influence on contemporary art, performance, and dance spanned over sixty years,” stated the Milan-based gallery. “We remember her with affection, admiration, and deep gratitude, and we remain committed to carrying forward the memory of her extraordinary work.” At the Judson Dance Theater in Greenwich Village, Forti became a key figure of then-budding postmodern dance, working alongside the likes of Trisha Brown, Steve Paxton, and Yvonne Rainer. Forti, whose collaborations included working with choreographers Anna Halprin, Martha Graham, and Merce Cunningham, liked to simply describe hersel...

After adding Yoshitomo Nara to its roster last fall, David Zwirner will present the Japanese artist’s first show with the gallery at both of its spaces on 19th and 20th Streets in Manhattan’s Chelsea neighborhood. The exhibition, touted as Nara’s first major solo show in New York in nearly a decade, is slated to open October 29 and will run through December 12. Nara joined Zwirner after being represented previously by Pace and Blum galleries, and said at the time, “Now, I feel fortunate to present the works I will be creating under the guidance of a gallerist who, though born and raised in a different place, shares the same generation and the spirit of the era we both lived through—including its subcultures.” The two-site show in the fall will include new paintings and drawings, recent sculptures, and early works selected by Nara himself. “Bringing together foundational works from the 1980s and paintings from 2026,” a press release reads, “thi...

Betye Saar died on July 26, four days before her 100th birthday, to the shock and sadness of an art world preparing to celebrate the centennial of the singular assemblage artist. Born in Los Angeles in 1926, Saar spent six decades excavating the American sediments of race and politics through found objects, from the innocuous—furniture, feathers, birdcages—to the insidious. Saar’s groundbreaking 1972 piece The Liberation of Aunt Jemima depicted the eponymous “Mammy” figure bearing a toy rifle and broom, with a Black Power fist rising before her. “She is going to liberate herself at all costs,” ARTnews wrote in its obituary yesterday, echoing Saar’s own words: “Take a woman who was a victim and make her a warrior.” Saar “redefined contemporary art,” the Museum of Contemporary Art, Los Angeles (MOCA) wrote on Instagram, joining the many cultural institutions, curators, and artists who shared condolences following news of her death. “Saar was a master as...

The Biennale of Sydney has appointed Low Kee Hong artistic director of its 26th edition, which will be on view in and around the city in 2028. This year’s Biennale , directed by Hoor Al Qasimi and titled “Rememory,” closed last month. “The 2028 Biennale will embrace participation and discovery, inviting people from all walks of life to share in the experience. I look forward to spending time with artists, communities and cultural leaders across Australia and the wider region,” Hong said in a statement. Various venues around New South Wales typically host the three-month-long Sydney Biennial. The 25th edition was headquartered at the White Bay Power Station; other locations included the Campbelltown Arts Center, the Art Gallery of New South Wales, the Chau Chak Wing Museum at the University of Sydney, and Lewers: Penrith Regional Gallery. Hong is the founding creative director of Factory International, an arts organization that ope...

ART accepts the Flava Best Pacific Group and NZ On Air Radio Airplay awards at the 2025 Pacific Music Awards. Photo: Supplied The Pacific Music Awards Trust is calling on the community to help secure the future of the Pacific Music Awards, launching a fundraising campaign as the event prepares to celebrate its 21st year. For more than two decades, the Pacific Music Awards have celebrated the achievements of Pacific artists, songwriters, producers and creatives across Aotearoa.  However, ongoing changes to funding and significant cuts to public arts investment have created growing challenges for the long-term sustainability of the awards. To help ensure the awards continue for future generations, the Trust has launched a fundraising campaign through Koha, an Aotearoa-built giving platform co-founded by Te Awanui Reeder (Awa of Nesian Mystik). Every donation made through the platform will go directly towards supporting the Pacific Music Awards. “It’s always...