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Every time a tech company promotes an emerging technology like AI or the metaverse, the pitch sounds the same: a promise to “unleash” the imagination, or a new “immersive world.” When Facebook rebranded as Meta in 2021, its ad showed four people looking at Henri Rousseau’s Fight Between a Tiger and a Buffalo , as it sprung to life and a portal opened before them. Four years later, when Meta debuted its Ray–Ban Meta smartglasses, the company touted its in-lens display and voice activation with an ad featuring Chris Hemsworth and Chris Pratt looking at Maurizio Cattelan’s Comedian , i.e. the banana, which Hemsworth promptly ate. What does it say about our collective consciousness that the direction of tech innovation seems to always lead to that scene in Mary Poppins , when the nanny and her wards jump onto a chalk drawing and end up in an animated world? That question lay at the center of several works performed at Giorno Poetry Systems (GPS) earlier this month...

She is the subject of a current exhibition at the Museum of Modern Art and an upcoming one at the Tate Modern. Netflix is planning an adaptation of her life. Her unibrowed face stares out from tote bags, murals, notebooks, enamel pins, refrigerator magnets, and dorm-room posters across the globe. A recent auction of The Dream (The Bed) , 1940, helped send her market value into yet a higher strata. I speak, of course, of Frida Kahlo. Add to the list a new opera. El Último Sueño de Frida y Dieg o, which recently opened at the Met, stages an oneiric reckoning with two famed painters. The premise is deceptively simple: on a November day in 1957, Frida returns from the underworld during Día de los Muertos for a brief reunion with her husband, who is himself not long for the world of the living. Carlos Álvarez as Diego and Isabel Leonard as Frida in a scene from Gabriela Lena Frank’s “El Últi...

Rene Matić was named the winner of the Deutsche Börse Photography Foundation Prize, one of the most prestigious honors in the field. They received the £30,000 ($40,250) prize for their exhibition “AS OPPOSED TO THE TRUTH,” which closed at CCA Berlin in February. Matić, who is based in London, works across photography, sculpture, sound, poetry, and film to examine social dynamics of race, gender, and intimacy through the lens of national symbols (flags are a recurring motif). Their practice includes an excavation of British subculture, including the “rude boy,” a fashion and ideological formation that emerged in the aftermath of postcolonial resistance movements. Part photography, part sculpture, and part installation, AS OPPOSED TO THE TRUTH positioned itself within the rise of right-wing populism, asking how the personal intersects with—and survives—the political. It extended an earlier exhibition staged at Vitrine Gallery titled “Born ...

A lineout scene in Saturday’s match between Petone and Ories. Petone won 39-10. Photo: Kinetic Images. Photos from the weekend at https://ift.tt/Ios1a4G The Swindale Shield reached its halfway point on Saturday and the race for the first round title is heating up with several teams in the mix and no conclusive favourite at this point....

The Hanwha Ocean shipyard in Geoje, South Korea covers 4.9 million square metres. It employs roughly 31,000 people, operates its own fire departments, hospitals, and daycare centres, and produces approximately 45 to 60 vessels per year. Vanguard visited the Geoje facility and Hanwha Ocean’s Siheung R&D campus in late April as part of an editorial trip hosted by Hanwha, gaining firsthand access to one of the production facilities under consideration for Canada’s submarine fleet renewal. From explosives to ocean giants Hanwha’s origins trace to 1952, the year before the Korean War armistice, when the company was founded as Korea Explosives Co. What followed over the next seven decades is one of the more remarkable industrial stories in modern history. Korea emerged from the war as one of the poorest nations on earth. Within a generation it had become one of the world’s dominant industrial powers, and shipbuilding was central to that transformation...

Earlier this week, a 5.5-carat diamond ring sold for over $17 million dollars during Christie’s Magnificent Jewels auction in Zurich. The triangular-cut stone, known as Ocean Dream, thanks to its blue-green color, had an estimate of about $9-12 million. It is set into an 18-karat white gold band and surrounded by pink and white diamonds. Fortune magazine reported that the buyer was an unnamed private client and that the ring took 20 minute to sell. Max Fawcett, Global Head of Christie’s Jewellery, noted in a statement that this is the second time Ocean Dream has been offered at auction. (t sold for nearly $10 million in 2014, also at Christie’s Geneva.) According to the Smithsonian, it is “one of the eight rarest diamonds in the world.” Ocean Dream was one of seven colored stones in the 2003 exhibition “Splendor of Diamonds” at the Smithsonian’s National Museum of Natural History in Washington, D.C. The ring comes with a letter issued by the Gemo...