Black Artists in Postwar Paris Get a Blockbuster at the Centre Pompidou
At the Centre Pompidou hangs a dense, colorful ink painting on cotton in which two figures with white faces and blue skin hold court in a lush thicket of flora and fauna. According to the work’s title, they are Delirium and Peace. Measuring 7.4 by 9.7 feet, Délire et paix (1954) by Georges Coran still packs a punch more than 70 years later. The artist’s daughter, Claude Coran, had lent the work to the Pompidou for the blockbuster exhibition “Paris Noir: Artistic circulations and anti-colonial resistance 1950–2000,” an overdue correction of sorts that aims to shed light on the vibrant community of Black artists active in Paris during the latter half of the 20th century. Born in 1928 on the island of Martinique, Coran père spent the majority of his life in the French capital, where he died in 2017. Despite this, his art, which draws influence from the mythology and symbolism of Martinque and often inserts Black figures into scenes referencing Western art history, had never before rec...