Highlights from the 2025 Outsider Art Fair
The best and worst of the Outsider Art Fair, which opened to the public Thursday night, seems to come down to clutter. There’s the material excess routinely spilling out of the booths, which sometimes feels captivating, like exposing the machinery of a live mind; and other times gratingly self-conscious, like those nouveau-old antique boutiques. This is a markedly subdued edition, at least compared to last year, but the issue stands. Since its start in 1993, the fair has become known for noise, but in this context, chaos can be equated with an outstanding imagination. It’s a consequence, I think, of the confusion over what constitutes authenticity in a market-first industry. Can it be simple? An individual either without access to, or regard for, social convention, whose artistic expression is indivisible from those circumstances—an artwork that inspires a sense of discovery. There are 66 exhibitors set up in Manhattan’s Metropolitan Pavilion through Sunday, and more than enough meet...